Description
A half-century after its release, THE THIRD MAN has become one of the greatest British thrillers of the postwar era and even earned itself a spot on the British Film Institute Top 100 List (1999/2000). Directed by Carol Reed and produced by Alexander Korda and David O Selznick, this gripping mystery tells a story of a love triangle gone wrong. Full of suspense, treachery, guilt, and disillusionment, it’s a haunting tale that has enthralled audiences for decades. Reed himself sought out musician Anton Karas, whose zither tunes now lend to the film’s iconic score – music that brings to life the bustling boulevards and corner cafs of Vienna.
- Big Ben (London Films)
- The Harry LIme Theme
- Dialogue: “It’s A Shame”
- The Cafe Mozart Waltz
- Main Title – Harry’s False Funeral
- Dialogue: “Heard Of Harry Lime?”
- Holly Encounters Anna / Meeting The Conspirators
- Dialogue: “The Third Man”
- Holly Is Accused Of Homicide
- Dialogue: “This Isn’t Santa Fe”
- Holly Brings Flowers
- Holly Runs After Harry’s Shadow
- Dialogue: “Holly What Fools We Are”
- Trap To Catch Harry
- Dialogue: “The Cuckoo Clock”
- Anna Walks Away / End Title – The Harry Lime Theme
- Visions Of Vienna
- Danube Dreams
- The Harry Lime Theme (Orchestral Version)
- The Cafe Mozart Waltz (Orchestral Version)





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