R.E.M. – Monster: 25th Anniversary Standard (180g Vinyl LP)

Description

25th Anniversary 180g Vinyl LP Reissue Remastered from the Original Analog Master by Greg Calbi at Sterling Sound

Craft Recordings present a pair of25th anniversary vinyl reissuesofR.E.M.’sacclaimed ninth album,Monster.Remastered from the original analog master by Greg Calbi at Sterling Sound, the title will be available onstandalone 180g vinyl LP with Chris Bilheimer’s originalMonsterartand in an expanded double 180g vinyl LP edition with the new remaster, a special 2019 remix fromMonsterproducer Scott Litt and reimagined cover art by Bilheimer plus new liner notes featuring interviews with members of the band.

WhenMonsterwas released in September 1994, the members ofR.E.M.were at a crossroads in their career. Singer Michael Stipe, guitarist Peter Buck, bassist Mike Mills and drummer Bill Berry were decompressing from the massive commercial and critical success of 1991’sOut of Timeand 1992’sAutomatic for the People. In just a few years, the Athens, GA, four-piece had become one of the biggest, most recognizable bands in the world, thanks to hits like “Losing My Religion,” “Man on the Moon” and “Everybody Hurts.” It had also been six years since the group had toured. By the time that work began onMonster, they were itching to end their self-imposed hiatus and get back on the road. The band was also looking for a sonic shake-up. WhileR.E.M.’slast two albums were full of ballads, acoustic rock songs and intricate arrangements, the group was ready to record something grittier, brasher and highly playable on stage.The group was also reeling from the strange nature of celebrity and identity, and many of the songs in this album reflect that.

As dark as some of the subject matter is, though,R.E.M.still infuses the songs with a dash of absurdity, irony and a humorous wink.Highlights include the distortion-soaked first single, “What’s The Frequency, Kenneth?” which plays off the farce of media and marketing that pervaded Gen X pop-culture, while the catchy “Star 69” is a detective story, based on the 90s phone service of the same name (a precursor to caller ID). The second single, “Bang and Blame,” features Sonic Youth’s Thurston Moore, as well as actress Rain Phoenix whose brother, River, had recently passed away and wasMonster’sdedicatee. “Let Me In” is an ode to Nirvana frontman Kurt Cobain, who had died by suicide just months before. Mills, who swapped his bass for Cobain’s guitar on the track, shares, “It’s Michael’s cathartic release in response to the loss of a good friend and someone we all felt creatively aligned with.”

The band’s new artistic direction proved to be a hit.Monsterdebuted at No. 1 on the Billboard 200 and would be certified four-times Platinum in the U.S.Rolling Stoneoffered this praise: “R.E.M.’s exceptional pop craftsmanship, their luminous melodic inventions, their sense of mission in short, everything fundamental are still there and shining more brightly than ever … Monster is one urgent-sounding album, and that’s as it should be.”

1. What’s The Frequency, Kenneth?
2. Crush With Eyeliner
3. King Of Comedy
4. I Don’t Sleep, I Dream
5. Star 69
6. Strange Currencies
7. Tongue
8. Bang And Blame
9. I Took Your Name
10. Let Me In
11. Circus Envy
12. You