Flowers in the Spring

Description

LP is Standard Jacket w/Printed Inner Sleeve + Insert +Download Card.

CD is 4 Panel Digipack.

First, lets meet back up with theMolochsyou remember them, right? Their Americas Velvet Glory was the earliest burst of light and energy to hit in 2017, an album of electrified rock n roll like Dylan and Lou Reed by a band named after the Ginsberg-ian glutton god who demanded the sacrifice of all things good and pure. But now its 2018 andMolochhimself is fatter and happier than ever, so theMolochscouldnt just make another record. After Glory showed the world who they were, they needed to make an album that showed what they could do. SoFlowersIn The Spring is where theMolochsworked harder, thought harder and fought harder to be the kind of band that the times demand: I like to think the world just needs some good solid songs out there, founder Lucas Fitzsimons says. Its simple. Its not easy but its simple.

Americas Velvet Glory, their first-ever record for L.A.s Innovative Leisure label, had sparked their first-ever U.S and European tours, first-ever festival sets, first-ever international press and more. (Top music mag Mojo even said theyd made one of the years best albumsAny year!) Follow-upFlowersbloomed almost exactly a year later at Long Beachs Jazzcats studio between December of 2017 and January of 2018, where Fitzsimons and longtime band member Ryan Foster had recorded Glory. By the time theyd returned, they had a slate of songs that had come to Fitzsimons in flash moments, written on nerve-wracking transcontinental flights or on isolated nights in an L.A. apartment, captured at once in bursts of insight or rescued from almost-abandonment in discarded notebooks.

As on Glory, inspiration from Syd Barrett, Dylan, Nikki Sudden and kindred spirit Peter Perrett of the Only Ones was at work, but theMolochsare endlessly (appropriately?) ravenous when it comes to things to read and listen to and learn from. OnFlowerstheyd refine and recombine their sound, working in that long tradition of poets who cover (or discover) themselves in pop songs. To Kick In A Lovers Door blowsFlowersopen with the wit and precision of the Go-Betweens, and I Wanna Say To You draws more from some of Creation Records dreamiest dreamers than it does from any esoteric 60s howlers. FlowersIn The Spring and Pages Of Your Journal could be two lost Kinks singles from two different Kinks erasthat Ray Davies-ian venom stays the same, of courseand the charming/disarming Too Lost In Love makes feeling down sound like cheering up, just like the Clean did.

Yes, they do have their first-ever string section here, and that could confuse some people. (People go, Wow, it sounds more mature. says Fitzsimons. What kind of boring shit is that?) ButFlowersisnt a grown-up album or a show-off album or a break-up album or a just-had-to-make-another-album album because theMolochsdont pick targets that tiny. Love and disgrace and life and death blur and bleed into each other, but at the core ofFlowersis a story about standing against the inhuman by being more human, however messily honest that needs to be. (Or like Fitzsimons sings at the end of the record: beware that determination by a whole / to destroy the human soul. Funny how that comes in a song where he claims he cant explain everything that happens to him, because he sort of just did.) So consider their newFlowersIn The Spring a meticulously plotted counterattack against all thingsMoloch-ian, with clear, concise, immediate, undeniable, simple, direct pop songs, says Fitzsimons, each sharpened enough to cut through anything it touched. Thats what he needed to do, he says, because thats what felt most true. Maybe it really was that simple, even if it wasnt easy. Like hed explain in a song with just seven words: Theres something I wanna say to you.